Valentine
Now:
Fresh off my vacation, I thought it would be a good time to post this image. Especially since she is now my wife! I may have had a naive approach to image manipulation, but I don’t regret for a moment choosing to spend my life with Valerie.
Hot Line
Now:
The bad is easily the texture on the circuit tracing shapes and the dark beveling that doesn’t look right.
The good is the fairly intense glow and light vs. dark values, plus the sort of shiny scratches among the dark areas. Almost as if old copper was being scratched to reveal fresh-bright redness underneath.
Delilah: Contemporary Elf Chick Drawing
Now:
Drawing Delilah (no, not Running Delilah, though that may have been where I got the name) was fun. At this stage in my artistic development I was starting to do a few things right, like drawing from photo reference for a (meta)human figure, and drawing at a larger size (higher resolution) than the final version shown here.
Plasm
Now:
It seems strange to me how an image made so simply can still captivate the eye, if briefly.
This image definitely falls under the category of “happy accidents”; some people think that term applied to digital art is akin to stating an oxymoron as everything in digital art is precise and controlled. In fact, that’s not always the case.
Time Wisp
Now:
For me this was a landmark piece in several ways. It marked the first time I combined a 3d rendered image with processing and effects in a 2d raster image application (in this case Corel Photo-Paint, probably version six or eight).
Red Sand
Now:
Ah, an early experiment in photo manipulation with Corel Photo-Paint. Making her face into the black-blue-green-red of an oil slick was fun, as my little way of getting one step closer (so it seemed at the time) to the superlative techno style of Rick Berry. Too bad the rest of the piece is so lackluster.
Then:
Rick Berry has long been one of my art idols, and his cover to Neuromancer, along with a few of his other works, were part of the inspiration for this image.
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